Aron Lichtschein - a 3L at NYU Law - was then announced as this year’s winner. The annual contest invites law students from all over the country to not only identify a legal issue faced by the music industry, but also propose a solution to the problem in a well-researched, 3,000-word essay.Īfter the winners of previous years were cheered by the crowd, 2023 runners up Gina Maeng - a 1L at Georgetown University Law - and Amanda Sharp - a 3L at the University of San Diego Law School– were recognized. "It’s the writing contest." Gencowas referring to the thought-provoking Entertainment Law Initiative Writing Contest, co-sponsored by the American Bar Association. "The most important part of this event is not the deals you close in the reception area," she quipped. Lawyers can simplify the path, so that artists can create their music. As the world continues to evolve, we must be flexible and adapt. "But behind the magic, there is plenty of complexity. "Great songs elevate our best moments and comfort us in our worst," she said. Inside the elegant ballroom, executive committee member Susan Genco spoke about the need for high caliber lawyers in the music industry. The 25th Annual Entertainment Law Initiative GRAMMY Week event was about to begin, and the hundreds of lawyers and other music industry executives in line took advantage of the opportunity to greet colleagues and joke around. But a ‘solo hologram tour’ in which patrons sit in an uncomfortable chair watching a pre-programmed hologram ‘perform’? Yawn."I never imagined a gathering of lawyers could be so popular," laughed a man waiting patiently at a long check-in line that spiraled throughout the Beverly Wilshire hotel in Beverly Hills on Feb. For instance, Dre and Snoop’s performance at Coachella, with the Tupac ‘hologram,’ was revolutionary, inspiring and just plain old… awesome. “As we had discussed, my feeling is that creative uses of holograms as part of a bigger whole can be groundbreaking, creative and a very cool part of a much bigger entertainment experience. I think it adds an interesting dimension – no pun intended – to the article, and I’d like to share it with my readers: UPDATE: Jeff Jampol responded to my story with a clarification of his stance on hologram tours. “And we want to expose people to Tupac.” “We want the story – we want the raison d’etre,” said Jampol. Look for that part of Shakur’s narrative to play an increasingly large role in future moves by his estate. Most recently, Atlanta hosted the first Tupac Amaru Shakur Collection Conference on Hip-Hop, Education and Expanding the Archival Imagination. His life and work formed the basis of symposium at Harvard in 2003. In 2000, his spoken-word album The Rose That Grew From Concrete featured luminaries from Mos Def to Nikki Giovanni reading his poetry. Perhaps known best at the time of his death for his advocacy of “Thug Life”and all things gangster, recent years have seen greater emphasis on Shakur’s intellectual and activist side. The estate’s efforts may be aided by changing attitudes over Shakur and his legacy. “I think that you’ll see new streams of income from additional forms of licensing and things that just didn’t exist five years ago,” says attorney Donald David, who has worked with the estate for years. As a result, the rapper’s posthumous earnings last were about one-third the $9 million he generated in 2007. He imagines something akin to the 21st Century version of the Pink Floyd laser shows that began in the 1970s – a live experience that doesn’t necessarily include actual performers.Ĭreating fresh sources of cash is particularly important for Shakur’s estate, which has already licensed out many of its key rights and has released most of the extensive cache of music that the rapper left behind. Still, Jampol says he’ll be exploring other new ways to bring Shakur to a new generation of audiences with the help of technological advances. It’s spontaneous and real, and it’s occurring right in front of you. “There’s nonverbal two-way communication. “A hologram tour I find disingenuous, boring, and I think it perverts the very idea of a live show – live music is all about a moment,” he said. So it may come as a surprise to some that Jampol shot down rumors of a hologram tour in a recent interview with FORBES. Shakur made headlines last year when he appeared as a hologram – or, more specifically, as an old 2D illusion known as Pepper’s Ghost – alongside Snoop Dogg and Dr. Record executive Tom Whalley, who signed the rapper to his first deal, will work on music projects attorney Peter Paterno will handle legal matters. Last month Shakur’s mother, Afeni, reached an agreement to have Jeff Jampol’s Jampol Artist Management oversee her son’s estate. Tupac Shakur is being resurrected – again. Tupac Has New Management, But Don’t Expect A Hologram Tour
0 Comments
Leave a Reply. |